17 123 безплатни аудиофайлове за "The Wizard Of Oz (1902 Musical)"

Thirteenth chord CMI13. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Thirteenth chord C13b9. Bass note: C or alternatively G. Created by Hyacinth (talk) 01:33, 6 July 2009 using Sibelius 5.

Seventh sharp nine chord on C. Created using Sibelius.

Thirteenth Polychord - Separate chords within an extended chord.

Modes of limited transposition scale 7 first mode

Ninth flat five chord on C. Created by Hyacinth (talk) 12:26, 29 May 2011 (UTC) using Sibelius 5.

Thirteenth chord CMA7(add13). Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Ninth chord on C: CEGBD.

Major seventh sharp eleventh chord on C. Created by Hyacinth (talk) 17:56, 4 July 2011 (UTC) using Sibelius 5.

Thirteenth chord C13sus. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Thirteenth chord C13(sharp11). Created by Hyacinth (talk) 19:37, 4 July 2009 using Sibelius 5.

Thirteenth chord Cm13(+11). Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Whole tone scale on B. Created by Hyacinth (talk) 01:01, 6 July 2010 using Sibelius 5.

E natural minor scale ascending and descending.

E harmonic minor scale ascending and descending.

B natural minor scale ascending and descending.

E melodic minor scale ascending and descending.

C harmonic minor scale ascending and descending.

B melodic minor scale ascending and descending.

B harmonic minor scale ascending and descending.

C triad open position.

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Comma pythagoricien. Deux notes séparées d'un comma pythagoricien, jouées alternativement. Format ogg. Fait avec CSound.

Un la à 440hz, puis un la élevé d'un comma à 446 hz, puis les deux ensemble. Fait avec CSound.An A at 440 hz, then an A + one comma at 446hz, then both together. Made with CSound.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Une quinte pythagoricienne juste (10 secondes) suivie d'une quinte du loup (10 autres secondes). Fait avec Csound.

Diminished seventh chord as incomplete ninth in C.

Ninth vs added-ninth chord.

*Bohlen-Pierce three steps on C = E. 33/13 = 438.91 cents. MIDI pitch bend: 57,76

*Bohlen-Pierce eleven steps on C = A♯/B♭. 311/13 = 409.35 cents. MIDI pitch bend: 126,66

*Bohlen-Pierce twelve steps on C = B. 312/13 = 1755.65 cents. MIDI pitch bend: 103,49 1755.65-1200= 555.65 cents.

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

Min'yō scale on D.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

*Bohlen-Pierce seven steps on C = H. 37/13 = 1024.13 cents. MIDI pitch bend: 92,71

Eighth octave on C. 16/1: 4800 cents.

*Bohlen-Pierce ten steps on C = A. 310/13 = 1463.04 cents. MIDI pitch bend: 22,52 1463.04-1200=263.04 cents

Miyako-bushi scale on D.

Hirajoshi scale on C according to Sachs & Slonimsky.

*Bohlen-Pierce eight steps on C = H♯/J♭. 38/13 = 1170.43 cents. MIDI pitch bend: 68,54

*Bohlen-Pierce six steps on C = G. 36/13 = 877.83 cents. MIDI pitch bend: 115,56

*Bohlen-Pierce nine steps on C = J. 39/13 = 1316.74 cents. MIDI pitch bend: 45,69 1316.74-1200=116.74 cents.

Hirajoshi scale on C according to Kostka & Payne and Speed.

Octave on C. 32/1: 6000 cents.

Octave on C. 32/1: 6000 cents.

Octave on C. 16/1: 4800 cents.

*Bohlen-Pierce five steps on C = F♯/G♭. 35/13 = 731.52 cents. MIDI pitch bend: 11,74